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PREDELLA no. 41-42 / 2017

 

MONOGRAFIA/MONOGRAPH

The «Discovery» of the Trecento in the Long Nineteenth Century

Louise BOURDUA

The «Discovery» of the Trecento in the Long Nineteenth Century. Introduction 

 

COLLECTORS, CONNOISSEURS AND ART HISTORIANS

Sam SMILES

The Fate of the Manetti Chapel and the Reception of Trecento Art in Britain, 1770s to 1890s  

 

Anita F. MOSKOVITZ

Discovering the Trecento: American Mavericks in the Market. Who, Where, Why, and Why Not

 

Corina MEYER

Working on «Depth of Thought» and «Serious Gravity»

 

Corentin DURY

Evariste Fouret (1807-1863): A French Collector, Amateur and Connoisseur of Trecento Painting

 

Julia M. NAUHAUS

Bernhard August Von Lindenau’s Collection of Early Italian Panel Paintings

 

Paul TUCKER

Trecento «Characteristic» and «Grotesque»: Frederic Burton, Charles Fairfax Murray and Early Sienese Painting in the National Gallery 1874-94

 

Martina BECATTINI

La Stanza del Trecento nel Museo Stibbert di Firenze

 

Laura FENELLI

Le Campora, 1908: Discovering a Trecento Fresco Cycle

 

ARTISTS

Hayley FLYNN

Dante’s Topographer: William Blake’s Illustrations to the Divine Comedy

 

Kathleen McLAUCHLAN

A Problematic Attraction: French Artists and the Primitive at the French Academy in Rome

 

Antonella BELLIN

Carl Blaas e i Nazareni a Roma

 

Alan CROOKHAM

Another Piece of the Mosaic.  Trecento Influences on The Albert Memorial

 

Laura LOMBARDI

La riscoperta della tradizione medioevale nella scultura francese dopo il 1870. «Les véritables origines de la Renaissance»

 

Lyrica TAYLOR

«My Beloved Masaccio and Giotto and All The Rest of the Blessed Company»: Winifred Margaret Knights and the Rediscovery of the Trecento in the Long Nineteenth Century

 

OTHER CONTEXTS: CULTURE & THE MARKET

Elisa CAMPOREALE

In Homes and Novels: Early Italian Pictures in England from Early Nineteenth to Early Twentieth Century

 

Assunta DE CRESCENZO

Foscolo’s Parallel Between Dante and Petrarch: A Perfect Harmony of Contrasts

 

Roberto RISSO

«Sotto il sembiante d’una pacata mestizia…». La cacciata del Duca d’Atene dal Medioevo all’Ottocento fra cronaca, affresco, narrazione e pittura

 

Chiara MORICONI

Dante Gabriel Rossetti's Salutatio Beatricis: Tradition as Translation 

 

Marie TAVINOR

John Ruskin: A New Saint Francis of Assisi? Ruskin’s Critical Reception in Italy and The Origins of the ‘Renaissance’ 

 

Lynn CATTERSON 

American Collecting, Stefano Bardini & the Taste for Trequattrocento Florence

 

Robert GIBBS

A 21st-Century Invention of a 19th-Century Giotto Revival: The ‘Stendhal Syndrome’