PREDELLA no. 41-42 / 2017
EDITORIALE/EDITORIAL
Gerardo DE SIMONE, Emanuele PELLEGRINI
Musei e identità: un intreccio difficile
MONOGRAFIA/MONOGRAPH
The «Discovery» of the Trecento in the Long Nineteenth Century
Louise BOURDUA
The «Discovery» of the Trecento in the Long Nineteenth Century. Introduction
COLLECTORS, CONNOISSEURS AND ART HISTORIANS
Sam SMILES
The Fate of the Manetti Chapel and the Reception of Trecento Art in Britain, 1770s to 1890s
Anita F. MOSKOVITZ
Discovering the Trecento: American Mavericks in the Market. Who, Where, Why, and Why Not
Corina MEYER
Working on «Depth of Thought» and «Serious Gravity»
Corentin DURY
Evariste Fouret (1807-1863): A French Collector, Amateur and Connoisseur of Trecento Painting
Julia M. NAUHAUS
Bernhard August Von Lindenau’s Collection of Early Italian Panel Paintings
Paul TUCKER
Martina BECATTINI
La Stanza del Trecento nel Museo Stibbert di Firenze
Laura FENELLI
Le Campora, 1908: Discovering a Trecento Fresco Cycle
ARTISTS
Hayley FLYNN
Dante’s Topographer: William Blake’s Illustrations to the Divine Comedy
Kathleen McLAUCHLAN
A Problematic Attraction: French Artists and the Primitive at the French Academy in Rome
Antonella BELLIN
Carl Blaas e i Nazareni a Roma
Alan CROOKHAM
Another Piece of the Mosaic. Trecento Influences on The Albert Memorial
Laura LOMBARDI
Lyrica TAYLOR
OTHER CONTEXTS: CULTURE & THE MARKET
Elisa CAMPOREALE
Assunta DE CRESCENZO
Foscolo’s Parallel Between Dante and Petrarch: A Perfect Harmony of Contrasts
Roberto RISSO
Chiara MORICONI
Dante Gabriel Rossetti's Salutatio Beatricis: Tradition as Translation
Marie TAVINOR
Lynn CATTERSON
American Collecting, Stefano Bardini & the Taste for Trequattrocento Florence
Robert GIBBS
A 21st-Century Invention of a 19th-Century Giotto Revival: The ‘Stendhal Syndrome’
MISCELLANEA/MISCELLANY
FIGURE
Alba BARCELÓ
Iluminando la décima plaga de Egipto: la muerte de los primogénitos en el programa pictórico de las Haggadot medievales catalanas, particularidades e influencias
Rudolf SCHIER
Sailing to Byzantium. Giorgione’s Three Philosophers
Claudia LA MALFA
Cristina GAGLIONE
CUSPIDE
Ilaria TADDEO
Some Observations on “Michele Grechi Lucchese” Painter and Engraver
Gianpasquale GRECO
Un angolo di Toscana a Roma: la Cappella di Carlo Lambardi «Nobilis Aretinus» in Santa Maria in Via
Chiara MINARDI
Laurent GRISON
CORNICE
Giulia INGARAO
The Alcove: an interior with three figures.
Leonora Carrington, Max Ernst E Leonor Fini – Saint Martin D’ardèche 1938/1940
Francesca PIROZZI
Il senso di Luigi Ontani per la maestria della ceramica e delle arti popolari
IN LIBRERIA
Paul TUCKER
Titling and the Individuation of Artworks
Eliana CARRARA
Scrivere d’arte nel Cinquecento
Silvia MASSA
Orlando Grosso e l’arte genovese tra musei civici e connoisseurship
Recensione di Andrea Leonardi, Arte antica in mostra. Rinascimento e Barocco genovesi negli anni di Orlando Grosso (1908-1948), Firenze, Edifir, 2016
Gigetta DALLI REGOLI
Recensione di Les Cahiers de l’Ornement 2, a cura di P.Caye e F.Solinas, Roma, De Luca, 2016
Marco BRUNETTI
Artestorie. Le professioni della storia dell’arte