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DÉCALAGES ET PARALLÈLES:
 ROBERTO LONGHI ET MARCEL PROUST


Donatien Grau

 

 

This essay aims to look into Roberto Longhi’s relation to Proust in terms, not only of an art historical reference, but of a methodological device in order to engage with the relation to time and to the medium. Looking into the texts Longhi referred to, and the presentations he provided of them, we reach a renewed sense of the deep human issues that were at hand throughout his work.